Friday, February 19, 2010

DANDELION MOMMA Plays at the Painted Bride

On Wednesday, February 17th, my play DANDELION MOMMA was staged at The Painted Bride Art Center in Philadelphia as part of their on-going new play development series, "The Bridal Salon".

The play was staged by Anthony Kamani, a stranger to me before the event started, who quickly became a wonderful new collaborator. Kamani enlarged the play, skillfully seeing both my vision of these worlds as well as bringing his own to the party. Anthony introduced me to lovely new actors I've never worked with before, brought in a live cello player to accompany the reading, and generally brought a whole lot of fun, enthusiasm, and good energy to the play. This staging expressed the play with added dimension, new rhythms, and gravitas (embodied beautifully by actress Meryl L. Brown as "Augustine").

The Painted Bride Art Center, Philadelphia PA

As with all these opportunities to step inside my writing, I learned a lot from being able to see the play brought to life for a moment. Of this particular process, I experienced a wider sense of possibility for these characters, some new discoveries, and a renewed passion for the play.

It was my hope that the Bridal Salon process would convince me to continue believing in this play, and to continue to seek opportunity for sharing it with a larger audience.

Big thank yous to the Painted Bride, LaNeshe Miller, Anthony Kamani, Meryl L. Brown, Carly Bodnar, Khalil Munir, Izzy Forte, Emma Berry, and Monica McIntyre for bringing life to the play, and to the friends in attendance who shared the moment with us.

rock on,

ROMERO

Sunday, January 24, 2010

ZOMBIE HEART SALAD SANDWICH at The Shubin Theatre

My short play, ZOMBIE HEART SALAD SANDWICH, will play at Philadelphia's Shubin Theatre on Tuesday, February 9th.

Selected to be part of "Primary Stages", a developmental program produced by Philadelphia Dramatists Center (PDC), the staged reading will be directed by PDC Executive Director Wally Zialcita and performed by Mark W. Robson and Megan Slater.

I am thrilled to step inside this play again, and look forward to the challenges and discoveries ahead of us. Big thank yous to PDC for its continued support of local playwrights, and to my awesome, fun collaborators on this project.

rock on,

ROMERO


UPDATE: Feb 9, 2010: Due to weather conditions (a blizzard!) this project has been postponed to a date to be announced.

Monday, December 07, 2009

THIRTY-THREE Begins

In the spirit of on-going gift-exchange, last fall I made the following offer to my friends:

For any gift larger than $ 33 (2 dang 3s, plus that's how old I am), I will perform ANYTHING you ask me to, for up to three minutes. Send me a piece of writing, a challenge, a piece of music, a dream, an object, a demand, a question, a drawing, an impossible task, and I will perform it, somehow, on January 1, 2010. For serious. Make it something awesome. Dare me. I will perform anything and everything asked of me as part of the performance, Thirty-Three.

Eighteen very generous friends responded, twelve of them giving me a performance challenge. I am now working, for the month of December, on creating a performance project from their generosity.

Thank you to those of you that helped, here is the performance challenge inspired by you:

--------------------------------------

Family of 9 at the dinner table. And you're all 9 of em. And oh shucks Benoit just spilled the gay.

A monologue about birthdays: 13, 23, and 33


Father visits the aquarium on Mondays and the arcade on Thursdays

A monologue from Hideki Matsui's perspective about Game 6 of the World Series

A project involving wrestling

M
y birthday and my name

Something re: mou shu pork

Something in Outer Space, no Zombies allowed

"Moonpies" by Hank Schwemmer

A dream about pear trees

A bit from The Wind in the Willows as Mr. Toad

The Constitution, The Declaration of Independence, and Abu Graib torture photos

A peacock at my parent's house

Something about cell phones

-----------------------------------

These gifts (along with the dozens of other gifts offered to me through the project, Three Dang Dollars), have given me the opportunity to work on a number of creative projects that I otherwise would not have the time for.

THANK YOU very much, my THIRTY-THREE collaborators:

Jodi Alonzo
Alexandra Bassett
Ilana Brownstein
The Burn Ward Theatre Company
Hugh Craig
Deena Gerson
GerRee Hinshaw
Kate Houlihan
Deven MacNair
Nancy Mouton and Chester Forest
Dustin Puryear
Wanda, Doyle, and Kristi Reeves
Pat and Johnie Romero
Sean Kendall Schneyer
Hank Schwemmer
Don Slater
Heidi Taylor
Angela Turner
Jeff Williams


sincerely,

ROMERO

Monday, November 30, 2009

THE MILKY WAY CABARET Completes Another Journey

Late Saturday evening, November 22nd, Amazing Arnie's life was spared one last time by his daughter, Travlin' Alice, who traveled through 28 years of black holes to stop a bullet before it reached the alcoholic magician's body.

Angela Parsons as Travlin' Alice

After journeying to Dallas, Texas, to watch several of Audacity Theatre Lab's performances of my "time-traveling tragicomedy", THE MILKY WAY CABARET, it is my hope that Arnie will get another shot at his magic acts, that Alice will continue to brave the stars, and that Buzz and Charlotte will keep re-growing their hearts together while staked-out for their next assassination.

Buzz (Tyson Rinehart) and Charlotte (Rhianna Mack)

I learned a lot from this play's second production, thanks to the good work put in by the good folks of Audacity Theatre Lab, and to some good conversations with my own traveling companion (the lovely and talented Megan Slater). This trip taught me that, though the play has its flaws, there are a lot of good things about it-- there is a lot of beauty, pain, imagination, and magic inside of it. And the artists of Audacity did a wonderful job bringing out the play's strengths.

Jeff Swearingen as Amazing Arnie

In addition to the good work, I was moved by the company's hospitality, generosity, and companionship while I was in town. It is these kinds of experiences that make me thrilled to be an artist and feel privileged for the opportunity to share my work.

Big thank yous to Brad McEntire, Ruth Engel, Jeff Swearingen, Jeff Hernandez, Cassidy Crown, Tyson Rinehart, Rhianna Mack, Angela Parsons, Trista Wyly, Jaymes Gregory, Sarah Barnes, and Megan Slater, for a wonderful, memorable journey.

Thank you also to the friends who came out to see the show (you rock, Jason Tremblay and Sheila Doyle), and to Mark Lowry for his thoughtful press coverage of the performance.

Travlin' Alice out in space


As with all of these projects, I loved the experience, and I look forward to the next one.

rock on,

ROMERO

Tuesday, November 24, 2009

DALLAS to Play at The Shubin Theatre

My project, DALLAS, will be presented for one night, November 24th, 2009, at The Shubin Theatre in Philadelphia as part of Primary Stages, an ongoing developmental forum for new short plays, co-produced by Philadelphia Dramatists Center (PDC) and The Secret Room Theatre.

The play steps inside a 24-hour greasy-spoon diner inside the haunted brain of Clinton J. Hill, the Secret Service Agent who couldn't quite save John F. Kennedy's life.

Clint Hill on the back of the President's limousine, November 22, 1963

The piece, originally written as one of 37 of TRAVEL PLAYS, has become another collaboration between me and electronic music composer Mike Vernusky. Vernusky has created an 11-minute composition that includes a re-creation of the voices of Arlen Specter (voiced by Michael Kranes) and Clinton J. Hill (Cody R. Kirk) from the 1963 Warren Commission hearings after the assassination of President John F. Kennedy.

The project finds its performance legs in the shared space between the script, the composition, and the movement/gestural language created by director Ken Kaissar and performers Chris Braak, Porter Eidam, Anabelle Garcia, Felicia Leicht, and Aaron Oster.

The play is one of six short works beginning at 8:00 pm at The Shubin Theatre (4th and Bainbridge).

Big thank yous the collaborative team for their great work on this presentation, to co-producers Todd Holtsberry and Bill Rolleri for putting the project together, to Nick Anselmo and Nan Gilbert at Drexel University, and to Dianna Marino, for who the orginal play, DALLAS, was written.

rock on,

ROMERO

Friday, November 20, 2009

I Breathe Fire More

I am happy to learn that I will continue teaching at Drexel University for both the Winter and Spring terms of 2010. A quarter system, I will teach consecutive 10-week terms, beginning early January through early June.

Hot!

Currently teaching "Dramatic Analysis" (and totally enjoying it), I will have the privilege of teaching two courses each upcoming term: "Theatre History I" and "Theatrical Experience" in the Winter (January-April) and "Theatre History II" and "Theatrical Experience" in the Spring (April-June).

Because I am not a historian, these assignments will add to my own theatrical education, which I am thrilled about. This assignment will force be just as much as a student as the Drexel undergrads, which is something I always hope for/attempt to create while teaching. Together we will make some fun discoveries through thousands of years of studying live events and I look forward to the journey.

rock on,

ROMERO

Thursday, October 15, 2009

The Amazing Arnie at THE MILKY WAY CABARET

One of my favorite actors, Jeff Swearingen, transforms himself into "Amazing Arnie" in my play, THE MILKY WAY CABARET, opening in Dallas on November 12th.

Jeff Swearingen as "The Amazing Arnie"

I am very excited about this production, and thrilled to see what other kinds of magic Audacity Theatre Lab brings to the party.

Tickets, by the way, are NOW on sale.

HOT!

rock on,

ROMERO

Monday, October 05, 2009

THE TRAVEL PLAYS Journey to NYC

On Wednesday, October 7th, my potlatch/roadtrip project, THE TRAVEL PLAYS will begin a journey through a four-day, ten-hour workshop/discovery process with Boomerang Theatre Company in New York City.

The project, 37 different plays written for 37 different friends (taking place in 37 different locations), will be explored by six different directors leading six different creative teams. Each team will work on 6-7 plays, exploring/exploding these works with one leading maxim-- be as imaginative and as creative as possible. And have a fucking blast!

The work will culminate in a group-sharing event, open to the public on Saturday, October 10th at 5:00 pm. (if you are reading this and in the NYC area, I would LOVE to see you there!)

I am thrilled to continue working on this project, as it continues the multi-layered gift-exchange between me, my friends, and my work. I am excited to meet a large group (six directors, over 20 actors) of mostly new collaborators and to continue to make exciting theatrical discoveries about these plays and about live performance in general.

Big thank yous to Tim Errickson, Artistic Director of Boomerang, for his interest in this project, and for organizing and producing the event.

====================

THE TRAVEL PLAYS
by Greg Romero

Directed by:
Adriana Baer, Marielle Duke, Michael Flanagan, Andrew J. Merkel, Daniel Talbott, and Jordana Williams

Dramaturgy by:
Wally Zialcita

Produced by:
Tim Errickson and Boomerang Theatre Company

--------------------------------------

Saturday, October 10th, 5:00 pm - 7:00 pm

Shetler Studios
244 W 54th St 12th Floor
New York NY

(To view the Facebook event page, go here.)

--------------------------------------

rock on,

ROMERO

Sunday, October 04, 2009

Rehearsals and Press Coverage Begin for MILKY WAY

This week, THE MILKY WAY CABARET began rehearsals for Audacity Theatre Lab's November production of the play. Director Brad McEntire tells me things are off to a good start, and that the group is already having a good time diving into the work.

The show also gets a mention by Dallas/Fort-Worth area arts writer Mark Lowry in the popular theater site, Theater Jones. Lowry also links the production's "trailer", which I freaking love.

For more information on the Nov 11-21 production in Dallas, you can visit the online home of Audacity Theatre Lab.

Big thank yous to Brad and Mark for their work.

rock on,

ROMERO

Friday, October 02, 2009

The MILKY WAY to Crash Land Collide with Texas

The Milky Way gang is headin' to Dallas, bringin' some noise and the entire galaxy with them.

Watch the magical, heart-breaking, hula-hooping, cigarette smoking, impossible journey through black holes:

Thursday, September 17, 2009

I Breathe Fire

Because I am a Drexel Dragon.


Tuesday, September 22nd begins my first day teaching in the Performing Arts department of the Antionette Westphal College of Media Arts and Design at Drexel University.

(can you feel the heat?)

As an Adjunct Faculty member, I will be leading a class of mostly first-term Playwriting/Screenwriting students through "Dramatic Analysis". We will get our hands super dirty taking apart a handful of plays from (and not from) the Western theater canon. And we will compare the dramatic structure of plays to the dramatic structure of the surrounding campus and West Philadelphia architecture.

And we will, of course, spend lots of time traversing through space.

I look forward to the adventures ahead, and thank Nick Anselmo (Theatre Program Director) for bringing me into the University. I look forward to getting to know another group of students, another campus, and to all of the wonderful discoveries ahead.

rock on,

ROMERO

Tuesday, September 08, 2009

DANG! (Huge Response = Huge Responsibility)

As the gifts continue to slowly trickle in, the response to my call for help with Three Dang Dollars and Thirty-Three has been beautiful, moving, generous, and highly motivating.

I have received over 90 individual gifts totaling around $ 1,500, which is, of course, incredibly useful and empowering. These gifts will allow me to give more time to my creative projects without having to take on a third job (for now).

(to see the full list of gift givers go HERE and HERE).

The outpouring of help has fueled me with even more motivation to go deeper inside of these projects, and deeper inside of myself as an artist and human. I am overwhelmed now with the urge to give back for all of the generosity I have received. And the best way I know to do that is to create the best work I can, and to work with people on these projects in the most thoughtful, bravest way possible.

These are promises confirmed by your gifts, and I thank you again.

Since the time of my original ask for help, the production dates for The Milky Way Cabaret have been confirmed (November 4-14 in Dallas, Texas) and the creative team of Audacity Theater Lab met just last night to begin exploring the play and to lay the creative groundwork for the production process.

Additionally, the workshop dates for The Travel Plays (An American Potlatch Road-trip) have been set (October 6-11 in New York City) and the good folks of Boomerang Theatre Company and I have begun organizing the creative teams for that project.

Your generosity has helped make these projects possible.

Thank you again to everyone for your gifts, and for believing in me. You are awesome.

Sincerely,

ROMERO

Friday, August 14, 2009

Production Dates Announced for THE MILKY WAY CABARET

My full-length play, THE MILKY WAY CABARET, will go into production with Audacity Theatre Lab from November 11-21, 2009, in Dallas, Texas.

HECK YEAH.

Travlin' Alice (Cherie A. Roberts) will take another journey through the Milky Way Cabaret.


Originally commissioned by The Cardboard Box Collaborative (Philadelphia), this will be the play's second production, and the second leg of the "3P/3Y Collaboration".

The production will be directed by ATL's Artistic Director, Brad McEntire, and be performed in the black box theater of Teatro Dallas.

Big thank yous to the gang at the Cardboard Box for commissioning me to write the play, to the creative team from the original 2007 Philly Fringe production, and to Brad McEntire and Jeff Swearingen at Audacity for taking an interest in continuing the play's life.

This is a work that I am really proud of, and I am thrilled to be working on it again, and sharing it again with an audience.

rock on,

ROMERO

Friday, August 07, 2009

GOODB(EYE) In the Sky

"For one week in the middle of the summer a giant eye appears in the sky over the city. At the end of seven days it disappears as suddenly as it had originally materialized..."


As part of Audacity Theatre Lab's radio theatre project, Eye in the Sky, my short work, GOODB(EYE), is now playing as part of the project's second episode.

Audacity Theatre Lab hand-selected a number of playwrights from around the country to take part in this innovative collaboration. The short blurb above served as the launching point for the playwrights to create one to three page scenes, monologues, letters, songs, newspaper clippings, thoughts, etc.

There's an eye in the sky. How has it effected those on the ground? What does it mean? Where did it come from?

From the contributions of the playwrights, Audacity has launched a large-scale project to that will stretch on for the entire first half of 2009. 6-7 episodes, each featuring three radio pieces will be engineered and posted on this website. By the end of the summer, we plan to have the whole series up online.

To listen to GOODB(EYE) as part the three-play episode (featuring additional plays by Erin Courtney and Daniel Talbott), visit the ATL website.

Thank you to Artistic Director Brad McEntire for inviting me into the project, and performers Jeffrey Schmidt and Lydia Mackay (who both, amazingly, appeared in one of my very first plays ten years ago...I love this big small world).

rock on,

ROMERO

Wednesday, August 05, 2009

Your Three Dollars is Four Months of My Writing

Dear Friends,


As I near the end of my time as the Resident Writer of the ArtsEdge Residency (which I have totally loved), I am full of ideas on how to continue finding support for my creative work. Because I am determined to stay committed to my writing (and to the time necessary to write as much as possible), I am not above asking for help.


So I am.


I am asking you for THREE DANG DOLLARS.


I am asking you to reach into your pocket, or your change bag, or your milk jar, and pull out three crispy (or crumpled) bills, three bucks worth of coins, three dang dollars.


Why Three?


Because three…is the magic number (yes, it is).


And because I have done the Math, and if everyone I ask throws down three dollars, I will have enough support to get me from September (when my residency ends) through the end of December.


Therefore, Three Dang Dollars = Four Dang Months.


Together we can be an awesome, grassroots Patron Collective.


But for the Math to work, I need help from everybody (and feel free to give more, just in case!).


So why should you give me three dang dollars?


1. Because it’s a generous gift, without being burdensome. Those three dollars will probably come back to you next time you have a beer with me.


2. Because your three dollars will allow me time and space to work on the following awesome projects:


A: The Most Beautiful Lullaby You’ve Ever Heard. I am collaborating with Austin-based composer Mike Vernusky in a slammin’ new production featuring his electronic music composition (which sounds INCREDIBLE). Our target date for production is the 2010 Philly Fringe Festival.


B: Completion of the first draft of The Babel Project. “Babel” is another collaboration with Vernusky—an “electro-theater” event that is cracking open our understanding of language and sound (audible and non). It is our biggest, most ambitious project to date. Our early work on it has us ridiculously excited. We are creating the project for full production in the Fall of 2011.


C: Continued work and production of Zombie Heart Salad Sandwich. I am developing this 15-20 minute piece for production with two additional Zombie-themed plays written by Philadelphia artists. We are targeting a brain-eating, Fall/Winter 2009 or early 2010 production.


D: Fall/Winter production of The Milky Way Cabaret. This full-length play is going into a November production with the cool cats of Dallas-based group, Audacity Theatre Lab. I am working on the script in preparation for what is its second production (it premiered in the 2007 Philly Fringe Festival).


E: Continued work on The Travel Plays: An American Potlatch Roadtrip. Many of you have already helped on this project (and thank you!). I am in conversation with a New York theater company about a potential Fall/Winter workshop in the Apple (we are going to bust it open!).


F: International, multi-city staging of The Marco Polo Project. I am organizing a worldwide event, which will perform this site-specific piece about cowboys, clowns, world explorers, and loss, in bathrooms all over the globe.


G: The live project, Thirty-Three, which will be performed on January 1, 2010 (01/01/10 = 3). This public performance will be based completely on your response to THIS fundraising letter. (Yes, you read that right...you are participating in a performance possibility at this very moment.)


And that should be enough work to do for the next four months. :)


BUT!!—to make all of this work come to life, I need your THREE DANG DOLLARS (or more!) for the necessary time and space to create and complete these projects.


Very simply, without your help this work cannot be done.


And to thank you for your support, I offer these gifts in return:


  1. I will acknowledge you on my website on the page “Awesome People”. I am happy to hyper-link your name to your personal, business, or favorite web address.

  1. In every script I create from now until the end of December 2009, I will include your name under the heading, “The following work was made possible by the support and awesomeness of the following Awesome People”.

  1. A beer or coffee (or cupcake) when you and I hang out again.

  1. For gifts larger than $ 33 (2 dang 3s, plus that's how old I am), I will perform ANYTHING you ask me to, for up to three minutes. Send me a piece of writing, a challenge, a piece of music, a dream, an object, a demand, a question, an impossible task, and I will perform it, somehow, on January 1, 2010. For serious. Make it something awesome. Dare me. I will perform anything and everything asked of me as part of the performance, Thirty-Three. (I will archive these offerings here).


So let’s do it!!!


THREE DANG DOLLARS!!!


And if you are feeling more generous (and want me to perform something for up to three minutes!):


  • 36 dang dollars gets me through a day
  • 250 dang dollars gets me through a week
  • 1,000 dang dollars gets me through a month
  • 4,000 dang dollars gets me through the end of the year


The best, quickest way to send your gift is to PayPal me at the email address: gregoryromero@yahoo.com


Otherwise, you can mail your gifts to:


Greg Romero

322 N 39th St

Philadelphia PA 19104


THANK YOU for helping me create live performance!!


Have an awesome dang day!!


Sincerely,

ROMERO


Thirty-Three

In a recent fund-raising pitch, I have offered a special gift to the generous folks who offer a gift of Thirty-Three dollars or more.

The offer:

For gifts larger than $ 33 (2 dang 3s, plus that's how old I am), I will perform ANYTHING you ask me to, for up to three minutes. Send me a piece of writing, a challenge, a piece of music, a dream, an object, a demand, a question, a drawing, an impossible task, and I will perform it, somehow, on January 1, 2010. For serious. Make it something awesome. Dare me. I will perform anything and everything asked of me as part of the performance, Thirty-Three.

I will list the donors on this page, as well as what they are asking me to perform. I will also keep this page updated with any other specific performance information.

I look forward to it!

Gift-Givers (and their gift to be performed)
--------------------------------------------
1. Jodi Alonzo (TBA)
2. Alexandra Bassett (Family of 9 at the dinner table. And you're all 9 of em. And oh shucks Benoit just spilled the gay).
3. Ilana Brownstein (TBA)
4. The Burn Ward Theater Company (TBA)
5. Hugh Craig (a monologue about birthdays: 13, 23, and 33)
6. Deena Gerson (TBA)
7. GerRee Hinshaw (Father visits the aquarium on Mondays and the arcade on Thursdays)
8. Kate Houlihan (a monologue from Hideki Matsui's perspective about Game 6 of the World Series)
9. Deven MacNair/Fire! (a project involving wrestling)
10. Nancy Mouton and Chester Forest (my birthday)
11. Dustin Puryear (something re: mou shu pork)
12. Wanda, Doyle, and Kristi Reeves (TBA)
13. Pat and Johnie Romero (TBA)
14. Sean Kendall Schneyer (Something in Outer Space, no Zombies allowed)
15. Hank Schwemmer ("Moonpies" by Hank Schwemmer)
16. Heidi Taylor (A dream about pear trees)
17. Angela Turner (a bit from Wind and the Willows as Mr. Toad)
18. Jeff Williams (The Constitution, The Declaration of Independence and Abu Graib torture photos)

--------------------------------------------
To donate your Thirty-Three Dollars, you can PayPal me at gregoryromero@yahoo.com

Or mail me at:

Greg Romero
322 N 39th St
Philadelphia PA 19104

To read the entire fund-raising letter, go here.

Thank you!!

sincerely,

ROMERO

Sunday, August 02, 2009

Awesome People

My creative work is made possible by the support and awesomeness of the following Awesome People (who rule):

(to become an awesome person, go here)

Jodi Alonzo
Alexandra Bassett
Chuck Bradford/Dr. Brad Chuckly
Ilana Brownstein
The Burn Ward Theater Company
Gregory Scott Campbell
Molly Casey
Central Dollars Gang and Sxxxy Chocolate (Jodi Alonzo, Jeff Carpenter, Erena Messina, and Bryan Nelson)
Bella Bear Coyne
David Coyne
Hugh Craig
Betsy Currie
Rob Cutler
John D'Alonzo
Kimberly Dilts
Rebecca Ennen
Beca Fried
Amparo Garcia-Crow
Deena Gerson
Lucy Gillespie
Jenae Yerger Glanton
Steve Gleich
Megan Gogerty
Lisa Grande
Jennifer Haley
Stacey Hardke
Rand, Barb, Mae Mae, and Precious Harmon
Anna Hebden
GerRee Hinshaw
Kate Houlihan
Cameron Ingram
Richard Jensen
Tim Johnson
Greg Kalleres
Spring Karlo
Danielle Kindt
Richard Kotulski and LiteraryManager.org
Lindsay Krieg
Robby Lambert/Earthquake McGoon
Daniel LeBlanc
Larry Loebell
Deven MacNair/Fire!
Eve Harrington Scholarship Winner Taylor Maddux
Jennifer Maisel
Eddie Manes
Jamie Marchi
Elizabeth McDonnell (to raise money to fight breast cancer, go here)
Brad McEntire
Jennifer Meisinger
Andrew J. Merkel
Christiana Molldrem
Christi Moore
Dawson Moore
Nancy Mouton and Chester Forest
Erica S. Nagel
Patti Neff
Osric Publishing
Jen (the Hen) Patureau
"The Nature Boy" Randy Pease (Woooooo!)
Misty Pelas
Sean Petrie
Sarah Pitre/Powder Blue
Ted Powell
Abby Pudlewski
Dustin Puryear
Joe Rawley
Wanda, Doyle, and Kristi Reeves
Cherie A. Roberts
Francisco Rodriguez
Will Rogers
William Rolleri
Chantel Rome
Pat and Johnie Romero
Genevieve and Aaron Saenz
Eric Sanders
April Feld Sandor
KC Scharnberg
Robert Schenkkan
Sean Kendall Schneyer
Hank Schwemmer
Jeffrey Skinner
Don Slater
Megan Slater
Fraser Snowden
Vanessa L. Sparling
Ms. Such
Jules Tasca
Heidi Taylor
Angela Turner
Mike Vernusky
Lucy Walters
Skipper Chong Warson
Miriam White
Allison Whittinghill
Jeff Williams
Gavin Witt
Rachel Wood
Abe Louise Young
Wally Zialcita
Lauren Zinn


THANK YOU!

Sincerely,

ROMERO

The Hawk Never Dies

I just received word that I will be returning to my teaching position at Saint Joseph's University (Philadelphia). I had a wonderful time at SJU last year and am thrilled to continue my position as Adjunct Faculty, teaching the course "American Theater" in the Fine and Performing Arts Department (to read about the awesome final projects from last semester's "Intro the Theater" class, go here).

Thank you to all my students for such a great experience, and to Renee Dobson for the opportunity to teach, and for her continued support of my work in the classroom.


I look forward to the year ahead--to meeting new students, to continuing the relationships with last year's group, to our continued journeys through "space" together, and to my own continued journey through teaching/learning and how to explore/explode dynamic, imaginative, creative ways of engaging with people and information. I look forward to continue helping people learn, including myself.

It will be fun to see what objects we stand on, how we change the space of the room, how we surprise each other, how we connect huge ideas, how we look through the lens of live art to view our country and our lives, how we rip it up, and how we transform each other by deepening our own understanding of self.

It should be a fun time! Cheers to a good year ahead of us.

GO HAWKS!

rock on,

ROMERO

Thursday, July 30, 2009

My Second Year in Philadelphia

Mark Cairns as The W. K. Webb Sportsplex in The Travel Plays at The Kelly Writers House, Philadelphia PA (January 2009).

After a rewarding and busy first year in Philadelphia, I spent my second year (from the beginning of July 2008 through the end of June 2009) trying to top myself.

I am not sure if I succeeded, but I definitely feel fulfilled by a full year's worth of work. It was another year of learning, of exciting opportunity, of deep questioning, of getting deeper inside the City of Brotherly Love.

As a highlight reel (and to compare it to Year One):

JULY 2008
Worked as a dramaturg on Jennifer Haley's play, Breadcrumbs, as part of the 2008 PlayPenn New Play Conference. It was my first experience in some time working as a dramaturg, and I was generally just happy to be working on the conference (of which I am a fan). I liked Jen's play a lot, and got to work with a lot of new people (both in Philly and nationally) that I didn't know, but was thrilled to meet and experience.

AUGUST 2008

My ten-minute play, Two Bubbles, is published by Playscripts, Inc as part of the anthology Great Short Comedies, Volume 3. The play, originally written in 24 hours, shares a volume with Steven Dietz, Rolin Jones, and others.

Brendan Ahearn, Tiffany Feng, Brad McEntire, Laurie Farris, Jeff Hernandez, and Shannon Marie in Two Bubbles, Audacity Productions / Rover Dramawerks, Plano, Texas (2002). Photo: Carol Rice.

If you are wondering, YES, copies of the play are still on sale.

SEPTEMBER 2008
Began my second year of teaching at The University of the Arts.

Began a new teaching job at Saint Joseph's University, teaching "Introduction to Theater" and "American Theater", mostly to non-theater majors.

My one-act play, Valentine's Day, goes into production as part of the Philly Fringe Festival. The play is produced by The Burn Ward Theater Company as part of the project, Mittens Descending and Other Tales. The play was directed by Andrew J. Merkel and performed by Molly Casey on September 5th and 6th.

Cherie A. Roberts as "Elida" in Shovel.

My Butoh-inspired piece, Shovel, is re-imagined as a site-specific project, 4 x 4, which featured four short, theatrical pieces staged in environmental spaces inside of Plays and Players Theater (Shovel was performed in the theater's catacombs). The play, also part of the Philly Fringe Festival, was directed by Andrew J. Merkel, performed by Cherie A. Roberts, with costume design by Jamie Grace-Duff.

Elected to the Board of Directors of Philadelphia Dramatists Center (PDC) and appointed as the Board's Secretary.

OCTOBER 2008
Moved to West Philadelphia, beginning the first-ever ArtsEdge Residency, created by the University of Pennsylvania and The Kelly Writers House. I begin an eleven-month term as "Resident Writer", offered subsidized living and studio space in the West Philly community. The Residency introduces me to a number of wonderful people, writers, and events, as well as to a part of the city that was unknown to me. Big, continued thank-yous to Jessica Lowenthal, Erin Gautsche, Al Filreis, Greg Djanikian, and Gina Renzi for making it all happen.

Complete the short piece, Goodb(eye), written for Audacity Theatre Lab's Eye in the Sky project.

The Philadelphia Phillies win the World Series and I get pepper-sprayed in the ensuing Broad Street riots. I also am almost crushed by a dumpster that was on fire.

NOVEMBER 2008
A pretty historic (and awesome) event takes place, sending the city into its third riot within six days. I do not almost die, but feel reborn.

My Butoh-inspired play, Shovel, goes into performance as part of the inaugural New Orleans Fringe Festival. The piece is produced by Austin-based Cisne Negro Productions and performed in the dive bar, Hi-Ho Lounge, on St. Claude Avenue.

Briana McKeague and Odile Nicole Del Giudice of Cisne Negro Productions.

DECEMBER 2008

Attended a free lecture given by Robert Wilson at Drexel University, which opened with him standing in silence for ten minutes at a podium. He later declared that we should burn down the universities. I became an even bigger Bob Wilson fan.

Completed Doctor Helix and Keggy the Keg, a ten-minute play written as a gift for my microbiologist, home-brewing brother-in-law, Adam Guss. The play is a fictional re-telling of the kidnapping of the unofficial mascot of Dartmouth University.

Keggy the Keg, before he was kidnapped.

JANUARY 2009
Began my second semester teaching at Saint Joseph's University.

Began teaching Creative Writing at The University of Pennsylvania, my first Ivy League teaching gig. The course I taught was: "Space, Place, and Character in Playwriting and Fiction". We read plays and fiction, wrote every class period, explored lot of weird spaces on campus, participated in a Flash Mob, field tripped to the Annenberg Center, to the Mutter Museum, created characters and expressed them through MySpace profiles, watched a play together, had class in the dark, had class in the park, and the students wrote A LOT of great work.

An in-progress version of the epic project, The Travel Plays, is presented at The Kelly Writers House as part of my ArtsEdge Residency. The project is directed by Wally Zialcita and performed by a really talented, fun ensemble: Mark Cairns, Michael Dura, Tomas Dura, Lyndsay Hart, Dawn Harvey, Brittany Holdahl, Aaron Oster, Jerry Rudasill, and Andrew J. Tardif.


The Travel Play, "Jackson", written for Tim Fawkes. From left to right: Michael Dura (blurred) as Ulysses S. Grant, Andrew J. Tardif as Johnny Cash, Lyndsay Hart as Andrew Jackson, Jerry Rudasill and Mark Cairns as The Bar That Burns Down.

FEBRUARY 2009
Organized and curated "The Zombie Bake-Off" (along with help from Philly-based director and actor, Daniel Student), a writing event connected to the inaugural Philadelphia New Play Initiative Conference, whose keynote speaker is Paula Vogel. The event, hosted by Plays and Players and Philadelphia Dramatists Center (PDC), inspires almost 20 new plays about zombies, abuse, and chicken salad sandwiches (truncated versions of the three "ingredients" given to the writers), including my offering, Zombie Heart Salad Sandwich.

MARCH 2009
Completed the first draft/journey of The Travel Plays (An American Potlatch Road-trip), a collection of 37 short plays that journey from the Walt Whitman Bridge to Ozona, Texas, and back. All 37 plays are mailed to each of the 37 friends who inspired their individual play.

Belize's Place, a full-length play co-written by me and Austin-based playwright/musician Jason Tremblay (under the collaborative pseudonym "Tav Keyinde"), is given a first-read.

Joined InterAct Playwright's Forum, a collective/support-group of invited Philadelphia playwrights that meet monthly at InterAct Theatre's home in the Adrienne Theater.

Nominated for the F. Otto Haas Award for an Emerging Theater Artist, a $10,000 award given annually to a Philadelphia theater artist of exceptional promise. This is a huge honor for me, especially considering the brief time I've spent creating art in Philadelphia. I do not win the award, but am thrilled to be considered.

APRIL 2009
A workshop production of my full-length play, Dandelion Momma, is presented at The Kelly Writer's House, as part of my ArtsEdge Residency. The project is directed by Wally Zialcita, dramaturged by Terri Epp, and performed by Kevin Bergen, Wendie Hetherington, Brenna Schiman, and Miriam White.

Brenna Schiman as "Delores" in Dandelion Momma.

MAY 2009
My one-act play (one of my first plays ever!), The Ride, is presented at Saint Joseph's University, as a senior project directed by Fine and Performing Arts major (and Varsity basketball player) Edwin Lashley.

My one-act play, Valentine's Day, is performed at the University of San Diego, also as a senior project, by one of my former National Theater Institute students, Stacey Hardke.

Another production of Valentine's Day (another university project, another former NTI student, Ben Smolen, directs it) is scheduled for production at Wesleyan University, but canceled due to an unfortunate campus tragedy.

My one-act plays, Zombie Heart Salad Sandwich and Doctor Helix and Keggy the Keg, go into production in Austin, Texas, by Debutantes and Vagabonds at the Rollins Theater at the Long Center for the Performing Arts as part of the project, Are You Alive? The plays are directed by Amanda Garfield, and the production runs for three performances, May 14, 15, and 16.


Began creation of a new collaborative work, The Babel Project, with on-going creative partner and electronic music composer Mike Vernusky.

JUNE 2009
Celebrated my 33rd birthday with fireworks at a Camden Riversharks game in New Jersey.

Contributed (along with seven other unknown/anonymous writers) to the collaboratively-written (in the style of Tennessee Williams) play, We Share the Same Air for a Moment, as part of Anonymous Theater, produced by Philadelphia Dramatists Center.

Returned to The National Theater Institute (at The Eugene O'Neill Theater Center in Waterford, CT) to work as the Playwriting Faculty for the Summer Intensive Training Program: TheaterMakers.

Ate really amazing blueberry pancakes at The Broken Yolk Cafe in New London, CT.


In all, it has been an outstanding, rewarding year. In addition to the work, I have continued to learn the city, feeling more and more like Philadelphia is my home. I have found more friends, more beauty, more of the city's little secrets, and more truths (and questions) about myself.

I am looking forward to the journey of Year Three, and hope that I can continue to contribute to the city, as well as find new ways to grow as an artist and human.

Thank you to everyone for a really good year.

rock on,

ROMERO

Friday, July 17, 2009

ZOMBIE HEART SALAD SANDWICH to be Served in the Barn

My one-act play, ZOMBIE HEART SALAD SANDWICH, will go up before an audience in the Margo and Rufus Rose Barn Theater at The Eugene O'Neill Theater Center (in Waterford, CT) on Tuesday evening, July 21st (2009).

The performance will be part of the National Theater Institute's Summer Intensive program, where I am currently teaching Playwriting. Each Tuesday during the summer, the students create and prepare an entirely new production of new works, which express an on-going laboratory for the advanced "TheaterMakers" to explore and apply their intensive training in a collaborative and project-based process.

I am thrilled to be invited to contribute my own writing to this ongoing project/process, and am excited to be working with guest director Gregg Wiggans, and NTI student performers Aaron Profumo (Oberlin College) and Kristen Johnson (Carleton College).

The play was originally written in two and a half days during February 2009 as part of a "Bake Off" created to celebrate Philadelphia's New Play Initiative Conference and its keynote guest, Paula Vogel. The play has since seen production earlier this summer in Austin, Texas, with Debutantes and Vagabonds as part of Are You Alive?, produced in The Rollins Theater at the Long Center for the Performing Arts (directed by Amanda Garfield).

The experience at the O'Neill, however, will be my first time in rehearsal with the play and I am looking forward to the discoveries and exploration ahead with my talented collaborators.

And I am LIVING A DREAM to have my writing up and being performed in the historic Barn Theater, adding my own contribution to the unique and rich legacy of The O'Neill Theater Center.

Thank you to Jeff Janisheski, Artistic Director of the National Theater Institute, for inviting me to contribute my work, as well as Nick Roesler, Associate Director of TheaterMakers, for making it all happen in the awesomest way possible.

rock on,

ROMERO